Books
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The guy who invented the sampler laughed when someone suggested it might be the future of music. Written in the aftermath of the ’90s remix revolution, with a resolutely chart-based pop perspective, this chronicles the rise of post-modern musical recycling, from scratching, through Stars on 45 pop-medleys and Coldcut’s cut-and-paste collages to the rise of house and techno.Buy
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Before recording was invented, to hear your favourite tune took a special occasion and a roomful of musicians, and owning or collecting music was unimaginable. In this quirky and thought-provoking treasure Eisenberg muses on the culture-quake of records and the love affairs with music they made possible. Originally published in 1987, the new edition adds digital musings.Buy
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‘Pop music’s a bit like boys. I mean, I just really, really love it.’ Smith’s enthusiasm makes for sharp insight that never forgets the cheeky fun of it all. From homo svengalis and closeted pop puppets, to fag hags, queercore and heavy metal’s gender confusion, a beautifully written account of a night in a gay club and a hilarious history of the penis in pop.Buy
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A scrupulous historical document: Lawrence follows the New York disco underground with detail to suit a forensic scientist. Forget character sketches, here’s detailed biography; instead of snappy anecdotes you get careful reconstructions. There’s charm, wit and warmth here (and great photos), but the more casual reader might not hang around long enough to find it.Buy
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Step this way for ’ardkore… A rock fan bodysnatched by techno, Reynolds filters the UK dance explosion through grown-up music journalism, going deep with genre hairsplitting and record-by-record analysis, but always coming up for air with rich writing and great musical descriptions. Dance music’s iconoclast. Published as ‘Generation Ecstasy’ in the US.Buy
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Former Face editor Garratt follows the arc of acid house from American origins to Clink Street, Shoom and the Hacienda, then along the M25 to raves, Ibiza and the Criminal Justice Bill, including interviews with all the major players. Having partied centre stage through it all she treads a bouncing line between history and memoir.Buy
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The TV documentary was strong on the origins of house, then got a little cabbaged when it tried to stand up and go anywhere. This accompanying book is similarly disorganised, but worth having for its acres of extended quotes: a veritable oral history. It would be churlish to point out the debt it owes to our own little history book, but we’ll do it anyway.Buy
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He came, he partied, he killed. The true story of New York superfreak club promoter Michael Alig, who murdered his drug dealer for being tacky, then hailed a yellow cab to take the corpse to the river. Elegantly written by co-freak St James, it pins down the candy-coloured drug-skewed ‘Club Kids’ scene of New York misfits in a surprisingly moral tale.Buy
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With Collin as editor, i-D magazine boasted the most insightful coverage of the eighties’ emerging club cultures. Altered State was the first serious book about acid house, and for a ride through the social and cultural revolution that ecstasy and house music ignited, it remains the best. The 2006 update catches Tony Blair using an E anthem to get elected.Buy
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A rare book with a price tag to match, this is a fan’s gushing love affair with “a stylish little number decked out on black and white checks”. It charts Jerry Dammers’ biography and the rise of the Coventry scene, then lovingly chronicles each Two Tone release, complete with discography, scrapbook pics and details only a spotter could love.Buy
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This classic cultural history follows Caribbean music from slavery days, through the birth of ska and reggae, up to pirate radio and Smiley Culture, ending around the emergence of ragga. Excels on reggae’s UK collisions and evolutions, from punks and dreads in Ladbroke Grove to the Hackney birth of lovers’ rock and the Coventry melting pot of Two Tone.Buy
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James follows the early years of jungle, from its origins as a dark force emerging from rave, through its evolution into drum’n’bass, enlisting A Guy Called Gerald for a rousing forward. Strong on historical details, but written a little early for much in the way of perspective. The book ends on a plea for unity as he watches the genre splinter into shards of argumentative sub-scenes.Buy
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Intensive care nurse Belle-Fortune whipped up this spirited junglist scrapbook after partying his way from acid house, through hardcore, to jungle and drum’n’bass. All Crews is the closest to a classic text on the scene, fat with snippets, interviews, quotes and an extensive overview of the players, pirates and producers, including some evocative recollections and captured moments.Buy
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Most sociology is just pub-level chat disguised in impenetrable jargon; this book is wonderfully different. Not only is it written in earth language, but it’s filled with proper research, interesting facts and provocative insight. American Thornton uses her experience as a UK clubber (plus a good deal of history) to examine why the hell we love to go out dancing.Buy
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The Face and i-D were the first magazines to take clubbing seriously on a regular basis. This little time capsule fills your head with bygone dancefloors, including several classic articles that were first to shine light on a scene: Stuart Cosgrove’s ‘Seventh City Techno’, Sheryl Garrat’s Chicago House report and Steven Harvey’s 1983 NYC disco snapshot.Buy





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